Saturday, July 3, 2010

Andrew Dubber – The 20 Things You Must Know About Music Online


Andrew Dubber is the Degree Leader for Music Industries at UCE Birmingham, UK. He is a senior lecturer and researcher with a particular interest in online music, radio and new media technology.

This posting is based on a free e-book located at http://newmusicstrategies.com The website is devoted to help small-medium music businesses and independent artists who use new online technologies and strategies in order to make money and thrive in the new environment.

I seriously recommend everybody in the music industry to download the e-book.

In summary, these are The 20 Things You Must Know About Music Online:

1 Don’t Believe the Hype:

Sandi Thom, the Arctic Monkeys and Lily Allen are not super famous, rich and successful just because of MySpace, and nor because they miraculously drew a crowd of thousands to their homegrown webcast. PR, traditional media, record labels and money were all involved.

2 Hear / Like / Buy:

It’s the golden rule. People hear music, then they like music, then they buy music. It’s the only order it can happen in. If you try to do it in any other sequence, it just won’t work.

3 Opinion Leaders Rule:

We know the importance of radio and press. There are now new opinion leaders who will tell your story with credibility. You need to find out who they are — or better yet, become one of them.

4 Customise:

A tailored solution at best, or at the very least a bespoke kitset approach to your web presence is crucial. An off-the-shelf number will almost guarantee your anonymity.

5. The Long Tail:

Chris Anderson has pretty much proved that the future of retail is selling less of more. Put everything online. Expand your catalogue. You will make more money selling a large number of niche products than you will selling a few hits.

6 Web 2.0:

Forget being a destination — become an environment. Your website is not a brochure — it’s a place where people gather and connect with you and with each other.

7 Connect:

Your website is not a promotional strategy. Learn how to tell a story, and learn how to tell it in an appropriate fashion for web communication. Think about how that could be translated for both new media and mainstream PR outlets.

8 Cross-promote:

Your online stuff is not a replacement for your offline stuff, and nor does it exist independently of it. Figure out how to make the two genuinely intersect.

9 Fewer Clicks:

This is especially true if you want somebody to part with their money. If I have to fill in a form, navigate through three layers of menu and then enter a password, I don’t want your music any more.

10 Professionalism:

If this is your business, you need to be businesslike. Treat your online profile the same way you would treat any of your business communication.

11 The Death of Scarcity:

The economics of the internet is fundamentally different to the economics of the world of shelves and limited stock. You can give away a million copies of your record in order to sell a thousand.

12 Distributed Identity:

From a PR perspective, you are better off scattering yourself right across the internet, than you are staying put in one place. Memberships, profiles, comments, and networks are incredibly helpful.

13 SEO:

You need to understand how Search Engine Optimisation works, and how you can maximise your chances of being found. Be both findable — and searchable.

14 Permission:

Your message must be welcome, relevant and personally useful. Letting people choose to engage with you is a far more effective targetting strategy than spamming them.
15 RSS:

Provide it, use it and teach it. RSS is the single most important aspect of your site. Treat it as such - but remember it’s still new for most people. Help your audience come to grips with it.

16 Accessibility:

Not everyone has a fast computer or high speed access. Not everybody has the gift of sight. Make everything you do online accessible. It’s easy to do, it’s important, and it stops you from turning people away at the door.

17 Reward & Incentivise:

Everything is now available all of the time. Give people a reason to consider you as part of their economic engagement with music.

18 Frequency is everything:

Repeat business is one of the most successful commercial strategies in the cultural industries. You want people to come back? Give them something to come back to that they haven’t seen before.

19 Make it viral:

Whatever you do, make it something that people will want to send to other people. Your best marketing is word of mouth, because online, word of mouth is exponentially more powerful.

20 Forget product — sell relationship:

The old model of music business is dominated by the sale of an individual artefact for a set sum of money. The new model is about starting an ongoing economic relationship with a community of fans.

Friday, June 25, 2010

Najwa Mahiaddin

Music is part of any culture and without doubt, part of anybody’s life from birth to death.

It has been proven that Music has a lot to do with Multiple Intelligences. It is not coincident that artists related to music have the higher probability to be good in mathematics and speed reading. Ancient civilizations had recognized singers and musicians as better people. How so true. Who else are more sensitive and caring other than the musical artists? The musical artworks are among those few that derived directly from hearts and souls.

I am honored having Najwa Mahiaddin featured as the first posting of this blog. She has the quality through having the ability to touch the souls, revoke reactions and expression of different moods and emotions. She has the talent both as a singer and as a songwriter. Yet she is highly educated ( an electronic engineer graduate) while being creative. Have I said music has a lot to do with Multiple Intelligences? Yes, I have.

Her musical preferences in music is blues, jazz, hip hop and sometimes summarized as neo
souls (don’t take this as true as I am so not good in music classifications or genres). The point is, she is proving something.

To me, music fills but is independent onto time and space. No one has the right to classify music as outdated or old or out of trend or anything like that. The fact is, those who appreciate music, appreciate all the dimensions given by music. Folk music, Classical Music, Rock Classic Music, Blues, Jazz and so many others are still relevant. It has always been the quality on how music, singing and performing are presented. In music itself, it is about how the beats and rhythms, the harmonies, the dynamics and the melodies are delivered.

Najwa has what it takes. Her pronunciation is clear. Her voice is pleasing yet powerful. Her
singing is dynamic. Her music is no nonsense. Despite that genres like blues and jazz are
considered not the mainstream, I must say Najwa is among those few in the industry that is
unique, branded and an artist with a lot of bravery. To be brave enough against the norm is
what I consider what Najwa really is.

Interestingly, there is something else about Najwa regarding her characteristics. Parts of
them are inherited. No, I’m not a believer that a leader is born but she is born in a family of
leaders. In so many ways, she must have inherited the characteristics as the family must
have brought her up to be honest, visionary, have faith, good communicator, courageous,
confident, full of tenacity and perseverance.

Najwa is a daughter of Tan Sri Dato' Muhyiddin Muhammad Yassin who is the current
Deputy Prime Minister. She is a granddaughter of Muhammad Yassin bin Mohammad who
was an Islamic scholar. Thus, I must say the integrity of her characteristics is unquestionable. The problems is, she is exposed to the political side of criticism.

Well, I am myself among those who are very critical towards the present government
particularly their policies and implementations among so many other things. Still, Najwa has
nothing to do with all these. However, there are idiots who are so fond on judging people
irrelevantly.

What is cynical regarding the criticism of this side is, the judgments are of ‘Islamic’ based.

Is singing forbidden in Islam? Is entertainment forbidden in Islam? How about other musical artwork? Was not Prophet Muhammad pbuh himself was proud having Muslims who sang well? Was not Prophet Muhammad pbuh himself took Siti Aishah into his arms listening and enjoying to music and singing?

Oh, then there are issues regarding the dressing codes. Well, those critics have some points but is it not regarding having decency?

True decency is from within where the inward piety is but those who have judged Najwa
irrelevantly and worse, on behalf of Islam prefer the physical attributes. They forget that the
relationship with God is not physical tangible or measurable. It is our purposes in life to be as decent as possible with the structures of our elements – bodies, minds, souls and spirits. Those who judge Najwa not as a singer-songwriter or an artist in the musical industry surely
deserve my deepest sympathy :-)

Politically, economically and socially, the flow of life is everybody plays the part. Some of us are students, some are farmers, some are industrialists, some are politicians, some are writers, some are artists, some are traders, and so on and our existences are not useless. We have differences but that’s the beauty of it where we get to know and learn and even lean on one another. One thing for sure, that Najwa has the quality through having the ability to touch the souls, revoke reactions and expression of different moods and emotions makes life not tasteless :-)

Meantime, let us enjoy and hear the canary sings …